Day 2 at Vancouver Fashion Week F/W19

Tuesday, March 19th, 2019 – Vancouver, BC – Tuesday was a night to showcase unique and show stopping collections with experimental fabrics and plays on scale.

The second day of Vancouver Fashion Week opened with ‘Celestial’, a resort-wear collection by Melissa Yin of Mel Elegance. Melissa is Chinese-Canadian and brings a multicultural aesthetic and minimalist comfort to luxury resort-wear. Inspired by a summer spent in Alaska Delaney National Park, Melissa’s designs are defined by flowing silhouettes and warm floral patterns in silk and linen. The sounds and sights of Alaskan wildlife are reflected through colour and detail in a collection that transitions steadily from black and floral ruffles to white lace. Rounding out the tone of the show were floor-length dresses in soft pinks and bright reds. Thoroughly accessorized, outfits were completed with bright blue and pink straw beach bags.

Next was Tyler Alan Jacobs of the TAJ House of Talents. A member of the Squamish First Nation, Jacobs creates traditional Coast Salish wear integrated with modern fabrics and cuts. His collection moved through form-hugging black and gold pieces to flowing cape silhouettes in black and cherry. Looks were completed with ombre yellow-red face markings and berry-red lips. Tyler highlighted his work with traditional First Nations motifs beaded ornately on dresses and skirts. The show concluded in dramatic fashion, as the final model strode down the runway and untied her motif-accented red cape, approaching the cameras with the textile around her waist.

Much like last season, Profanity by LillzKillz lived up to its name. The scandalous collection by BC based, 21 year old designer featured a range of diverse models who descended on the runway in attire unlike anything else seen so far. Drawing from the fashion culture of extreme snow sports, items included park rat oversized hoodies juxtaposed with tight mini dresses that, on one occasion, exposed the entire back and backside of the model. LillzKillz maintained no regard for gender roles, placing models in a mix of different pieces. An electric palette of bright orange, yellow and a graphic design that harkened back to 90s snowboarding culture fought for attention with an array of opaque, puffy and stark white fur fabrics. The result was eccentric and, need we say it, profane.

Camilla & Castillo, a sexually charged line from Venezuelan designer Camilla Castillo, featured an array of fitted pieces that celebrated the forms and curves of the female figure. The collection played with geometric compositions through multi-level hems and crisscrossing linear designs. Metallic accessories, studs and careful cut-outs created a line that is multi-dimensional and contradictory. The overall effect was to turn simple silhouettes, such as the pencil skirt and crop top, into pieces that are sexy, statement, and runway ready.

The Radastyle collection, by Belarusian designer Tatsiana Sychova, was the epitome of timeless, beautiful elegance. 'Orbit of Time' utilized classic, flattering silhouettes in sensual fabrics that stood apart with a mastery of fine details. Stunning floating dresses in silk and satin glided down the runway abated by eye catching necklines, ruffled sleeves, detailed waistlines and hemlines generously cut on the bias. The collection was coherent, elegant, and modest all while being breathtakingly sensual.

Japanese designer Michiko Ueda presented her brand GLAZE KOHL’s second collection, which displayed Michiko’s 20 years of experience as the proprietor of a vintage shop in Osaka, Japan. This collection was inspired by the colour of Japanese spring, with Michiko showing a mastery of woollen and velvet material. The pieces suggested a refined persona while still retaining playfulness, using soft silhouettes and muted palettes. A cheerful and barefooted model underscored this message, leading attendees to break into applause for the well-tenured designer who should be well-watched for any further additions to her brand.

17-year-old Vancouver-based designer Ming Lim from CRAZYYABAI closed off Tuesday’s events with a memorable showing of her collection ‘Sophrosyne’ exploring the idea of self-peace. This work is said to have surfaced from a period of self-realization and growth in Ming’s life, and features avant-garde looks that grab the attention of the viewer and convey a captivating message about the designer. Fantasy imagery is consistent throughout the line. Transparent materials stitched next to flowing legwear leave the model equally concealed and revealed, suggesting a feeling of veiled confusion. A mural-like printed train with an image of a heart being held by a weeping figure closed out a truly provocative show by the remarkable young designer.

CONCEPT KOREA SHOWCASE AT NEW YORK FASHION WEEK

LIE and GREEDILOUS showcase progressive Korean fashions for F/W 18

Concept Korea returned to NYFW to showcase two of South Korea’s most promising design talents, LIE by Chung Chung Lee and GREEDILOUS by Younhee Park.

The fashion industry has taken notice of the growing South Korean infatuation that is emerging from Seoul. The city, now a permanent fixture in the industry, is responsible for influencing some of the most infectious trends and inspiring the biggest names in fashion.

Concept Korea is a collaborative project to promote Korean fashion designers. This F/W 2018 season marks the organization’s seventeenth time showing at New York Fashion Week.

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First up, GREEDILOUS, a brand by designer Younhee Park. Park has previously showcased in Seoul and Paris, and was nominated for the 2014/2015 International Woolmark Prize. The F/W 18 collection was inspired by beauty in women represented with extreme glamour, the Palace of Versailles, and Marie Antoinette’s romantic style. Park revisited the vintage appeal of playing with beautiful patterns from nature to reinterpret Marie Antoinette as a fantastical creature representative of the brand’s unique identity. There is a beautiful mix of textures with vivid colours and bold graphic patterns following the Maximalist trend. Describing the look as ‘futuristic modernity’, Park creates a feminine style with masculine undertones that manages to be both classic and directional.

LIE designer from Lee Chung Chung is the son of renowned designer parents who founded the legendary Korean fashion house LIE SANGBONG. Commencing his design career in menswear on the famed Saville Row under the guidance of the celebrated menswear designer Oswald Boateng, Chung solidified his tailoring skills, which eventually led to launching his own line.

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Inspired by the striking image of a wary polar bear stranded on a shrinking iceberg, LIE made its second NYFW appearance with the F/W18 collection, “GLOBAL WARMING; It’s not justICE.” The collection aimed to portray an important message that “it’s not just ice” that is affected from the devastations of global warming. This season, Chung strives to bring awareness to the collapsing unity between humans and nature with his clothes. Dusty pale blues are contrasted with bold rainbow colourways, and transparent PVC's are paired with soft furs for a unique and feminine collection.